Short STRAIGHT hair?! WTF, Cedric? |
Mindblowing Machine
Just a place where I'll discuss art, music, books and other things I find interesting.
Tuesday, January 17, 2012
The Mars Volta - Noctourniquet
Finally, we are no longer kept in the dark. Goodbye unconfirmed rumors: The Mars Volta's new album has an official release date, official art and an official tracklisting. Check it out on their official website. I don't know about you, but I'm REALLY diggin' that cover art. Now we just have to wait. Or listen to their more recent bootlegs.
Monday, January 16, 2012
A Confession (and a Genesis Classic)
My very favourite music, as you might have guessed, is prog. And as we all know, prog's flagship groups are the almighty King Crimson, Yes and Genesis. Now, since I officially declared my undying love for said music around the age of 14, I'm very embarrassed to admit that I've just heard Genesis' The Lamb Lies Down On Broadway in its entirety, for maybe the third or fourth time in my life, and that this is the first time I actually "get it". I know, I know, I'm a disgusting poseur, and deserve to be buried alive in a coffin made of "popular music" CDs...
In case some other sad posers happen to come across this post, they can get The Lamb in two parts here.
What can I say about this particular album that hasn't already be said? Probably nothing, but I feel obliged to share a few of my thoughts on it: for one thing, the songs on this one are odd in the typical Genesis way, but certainly odder than most of their other work. Perhaps this is why it took me so long to actually listen to it and even longer to get into. (At least for now) I find the first half of the album better, although the second part does contain its own share of timeless songs (Lilywhite Lilith, Anyway, The Lamia) along with a few freaky psychedelic interludes, it also has more of the "odder" pieces, which kept me away from it for a long time. I like the fact that The Lamb is a classic Genesis album, although it has nothing of their typical pastoral sound found on other records, which I assume is due to the almost total absence of acoustic/classical guitars. I also really dig the weird keyboard/synth sounds that Tony Banks used on it: they come off as futuristic (for 1974, that is) and vintage-y at the same time. These two factors are actually quite important for the band, and because of them this record manages to stand out among their works. It may not be their absolute masterpiece, but it is most certainly one of their most unique albums. And no songs represent this uniqueness as much as The Grand Parade of Lifeless Packaging, and Back In N.Y.C., a couple of pieces that are swiftly becoming my favourite songs from this album, even though I found them both "too odd to like" at first. A few other gems would have to be Fly On a Windshield/Broadway Melody of 1974, Hairless Heart, Lilywhite Lilith and the title-track. But really, this is a concept album, so I shouldn't even be recommending single songs! Oh god, I really am a poser...
In case some other sad posers happen to come across this post, they can get The Lamb in two parts here.
What can I say about this particular album that hasn't already be said? Probably nothing, but I feel obliged to share a few of my thoughts on it: for one thing, the songs on this one are odd in the typical Genesis way, but certainly odder than most of their other work. Perhaps this is why it took me so long to actually listen to it and even longer to get into. (At least for now) I find the first half of the album better, although the second part does contain its own share of timeless songs (Lilywhite Lilith, Anyway, The Lamia) along with a few freaky psychedelic interludes, it also has more of the "odder" pieces, which kept me away from it for a long time. I like the fact that The Lamb is a classic Genesis album, although it has nothing of their typical pastoral sound found on other records, which I assume is due to the almost total absence of acoustic/classical guitars. I also really dig the weird keyboard/synth sounds that Tony Banks used on it: they come off as futuristic (for 1974, that is) and vintage-y at the same time. These two factors are actually quite important for the band, and because of them this record manages to stand out among their works. It may not be their absolute masterpiece, but it is most certainly one of their most unique albums. And no songs represent this uniqueness as much as The Grand Parade of Lifeless Packaging, and Back In N.Y.C., a couple of pieces that are swiftly becoming my favourite songs from this album, even though I found them both "too odd to like" at first. A few other gems would have to be Fly On a Windshield/Broadway Melody of 1974, Hairless Heart, Lilywhite Lilith and the title-track. But really, this is a concept album, so I shouldn't even be recommending single songs! Oh god, I really am a poser...
I just heard "Invisible Touch"... I LOVE Genesis! |
LEGO CASTLES: A GALLERY
You didn't know this before, but I grew up playing with Legos, and absolutely love everything about them. I'd still play with them now if I had the time... Wait a minute, I actually DO have the time! The real problem is that I'm lazy and waste it all by sleeping too much. But I digress. I just googled "lego castle" wanting to see if there are any new (and totally rad) sets coming out this year, but my attention was almost instantly diverted to the many images of custom castles made by some truly brilliant freaks. Behold and beamazed!
Wow. Now, while they're all amazing, those last two are just unbelievable. Mindblowing. The people who made them must be architects or engineers or something. And did I mention that these are just the first pictures which caught my eye? Imagine what wonders lie in the murky depths of Google Images!
Sunday, January 15, 2012
Terry Pratchett - The Colour of Magic
Terry Pratchett - the very name reeks of legend. If you've only recently arrived on Earth and haven't heard of this guy, let me fill you in: I like to think of Pratchett as the Douglas Adams of fantasy. He's most famous for having written the Discworld series, starting with 1983's "The Colour of Magic". 38 books and 29 years later, his readers have an absolutely delightful "literary sandbox", from which each novel can be read as a standalone book, although there are a number of recurring themes and characters.
The Colour of Magic is, to quote Wikipedia quoting Pratchett, "an attempt to do for the classical fantasy universe what Blazing Saddles did for Westerns." I've never seen the movie, but this quote certainly intrigues me! Now, rather than write about the plot, I shall direct any n00bs to the book's Wikipedia article warning them about the spoilers that are obviously contained therein. But I'm not going to stop there, for I shall in fact provide you with a link whence you can download this and several other of his novels! Hell, even I haven't read most of the other books from the related files! It's almost a pity I can't stand reading this sort of stuff from a computer screen. That's all, so goodbye my faithful, adoring readers. Goodbye FOR NOW.
The Colour of Magic is, to quote Wikipedia quoting Pratchett, "an attempt to do for the classical fantasy universe what Blazing Saddles did for Westerns." I've never seen the movie, but this quote certainly intrigues me! Now, rather than write about the plot, I shall direct any n00bs to the book's Wikipedia article warning them about the spoilers that are obviously contained therein. But I'm not going to stop there, for I shall in fact provide you with a link whence you can download this and several other of his novels! Hell, even I haven't read most of the other books from the related files! It's almost a pity I can't stand reading this sort of stuff from a computer screen. That's all, so goodbye my faithful, adoring readers. Goodbye FOR NOW.
Friday, January 13, 2012
Hallelujah
Hallelujah, it's raining men!
This is one artist I really love. Now, as I was skimming through his various works in Google Images I noticed something outrageously awesome. Observe this:
This is one artist I really love. Now, as I was skimming through his various works in Google Images I noticed something outrageously awesome. Observe this:
And now this:
Apparently, Magritte has had over the years a subtle relationship with popular music from decades after his quote-unquote death. How could he have achieved this? Was he in fact a time traveler? That is the only logical explanation.
Needless to say, I'm blown away. My very view of life, the Universe and Everything can never be the same.
Labels:
album,
art,
comparison,
cover,
lovers,
Magritte,
Mars Volta,
painting,
pop,
prog,
random,
René,
timewaste
SRSLY
The intensity, the energy, the fury... It's awe-inspiring. But what really moves me most is Omar Rodriguez-Lopez's dance during the intro. Outrageous.
Thursday, January 12, 2012
NEWS
I'm not sure what my many legions of adoring readers think of this band called "The Mars Volta", but I happen to
All I can say for certain is, it'll sound like the complete opposite of whatever any of us expect. But it's not up to us to question Omar Rodriguez-Lopez, for He works in mysterious ways.
On a related note, am I the only one who was totally NOT expecting an At the Drive-In reunion?
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